The first rule of write club is: don't talk about write club! The second rule of write club is: there are no rules! (Which, of course, negates rule one, and more interestingly, itself, which then un-negates rule one...) I follow a bunch of blogs and Facebook groups that discuss writing. More often than not, the discussion is not very …
I posted a story entitled "The Struggles of Being a Lazy Demon" in The Angry Hourglass's "Flash Frenzy Free for All" this week. My story is the second from the top. You can find the page HERE. I'd love some comments on my story. Any feedback is welcome, good or bad. Also, while you are there …
Such a great outline for checking your scenes, I had to share! Thank you for the advice, Amy.
Amy Walters is an author and blogger who often blogs about writing techniques and tips. It would definitely be worth your time to jump over and check out what she has to say on the topic of fiction writing.
Regarding this particular post, I think the checklist she provides for examining scenes is very helpful, particularly for those odd, tricky scenes that are hard to parse. Most of the points in the list are very useful, so it’s hard to isolate a few to focus on. Certainly POV is a big issue for scenes. Your POV should not be shifting in scene without a very, very good reason. It’s a common, unintentional mistake in the early drafts of new writers. Also, the POV should also be clear from the beginning of the scene. Who is experiencing this scene and what does that mean for the information the readers receive?
If I were to choose one point from the list as the best or most important (which I shouldn’t, as they are all useful, but I am trying to add my two bits here), then I would say “What do I want the reader to feel by the end of this scene?” is the critical question to ask when developing and evaluating a scene. This is your end goal, the target you want to hit with your prose. This goal is the idea of how the scene fits into the larger work, its purpose. The first way to evaluate your scene is to ask if you’ve met that goal.
But I don’t think you should only focus on that point and ignore the rest. I cannot reiterate enough that there are a lot of great points in the checklist.
If you’d like to know how to evaluate a scene, jump on over to Amy’s blog and see what she has to say.
Hello, lovely people, I hope you are well? You are? Great! I know I am, it’s Friday after all! The last few days I have been outlining my scenes so that I am ready for Camp NaNoWriMo in July.
I’m reading an amazing book by CS Lakin called The 12 Key Pillars of Novel Construction which I have found invaluable. Lakin gives a scene checklist which I recommend you get your hands on.
I have used this to ask myself set questions per scene, and they are helping me so much I thought I would share them with you. Let me know what you think!
What is the action or revelation that is the high impact crux of this scene?
What new information will this scene tell the reader?
What is the purpose of the scene?
What do I want the reader to know by reading this scene?
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Thank you, David, for your great reading of my story!
For those of you who don’t know, David Snape is a blogger who has does a regular guest writing spot. Last week he posted my story A Voice in the Water. Yesterday, he chose it for his guest post of the week, and read the story out loud in a video. He did a great job on the reading, too. And I am quite surprised how well the story fit being spoken aloud. Maybe I need to start reading my stories here on this blog.
Congratulations to J.M Williams for this weeks post of the week ‘A Voice in the water’. Sit back, listen and enjoy, well worth the post of the week.
I'm a traditionalist. I'm a military vet and a historian for gods' sakes, so my head is very much stuck on the tried and true. As an author, I have been putting all my focus on traditional routes for publishing--getting my short stories in mags and ezines, and finding a proper agent for my book. …
So I totally forgot to post the link to my new short story on Bewildering Stories! Oops! The story "The Might of a Shaman" is set in a stone age, fantasy-lite world where spirits might be real and danger certainly is. It is a setting I have written a couple other stories in and will likely …
I've thrown together another tracker for my book submissions. Thus far I have received rejections from five agents. This, of course, does not include the agents and agencies that simply do not reply when they reject. Not even a form rejection letter. There's a few more on my list that are past that threshold and …
David Snape kindly shared my flash story “A Voice in the Water” on his blog. Head on over and check it out. And while you’re at it, check out the other authors whose work he has shared.
The stag bent down to take a drink from the crystal stream. Its massive antlers dipped into the water, causing the gentle current to swirl around the many submerged tips. Hemming took aim with his bow and fired.The arrow whistled through the air towards its target. But instead of piercing the animal in the neck as he had expected, it broke apart. The stag looked back at Hemming. The beast rose up on its hind legs, then began to glow with brilliant green light. The shape of it changed from beast to man, a glowing man in flowing silken robes.
“Come here my child. Do not be afraid.”
Hemming glance around and seeing no support or possible route of escape, shuffled forward.
“Do you know who I am, child?”
Hemming shook his head.
“I am Darmin.”
God of nature. God of the hunt! Hemming’s face went wide with fear.
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Here's an interesting character story with some steampunky trappings. I don't really feel like the real-world references fit the setting. Things like WWII and Black Friday would likely be forgotten about in a future where airships are common. And I don't think it adds anything to the story. The story is a bit long as is, …
Here is a very humorous approach to the now common list of fantasy cliches that has become almost cliche itself. I’m surprised by how many of these I’ve actually ignored from the start. Maybe that’s due to my coming into my current habit with a decent amount of experience in hand. As with all warnings about cliches, and any writing advice in general, the point is not to reject such cliches outright but to be aware of them and not fall into the trap of using them without care because it’s easy.
Inns and taverns is the one in this list that I feel is less a cliche than an honest reality. Inns were important for town life for a long time, before being replaced by coffee shops and cafes. Lots of important historical stuff happened in inns and taverns. The Culper Ring was centered on a tavern and its keeper. I honestly think any medieval story would feel odd without mention of the local inn or tavern, as it was a critical locus of town life. But that’s just me.
Today we’ll be studying the basics of what it takes to be a full-fledged fantasy fiction character. Note-taking is encouraged.
Step 1: Wear the appropriate attire
In this class, we provide you with a starter kit which includes pre-muddied boots and a cloak carefully hand-torn by our specialists. We also recommend you complete your outfit with your own choice of shirts, pants, and hoods. Our wardrobe selections include Colors Of the Forest, A Hunter’s Garb, and Dusty Road Wanderer.
Step 2: Grow out your hair
Most of our past graduates adapt to the standard shoulder-length hair, which we recommend for its versatility. It’s long enough to catch the breeze while you sit majestically on your wilderness rock of choice, and it’s short enough to whip around just right in situations where dancing, spinning around in surprise, or hand-to-hand combat are required.
Step 3: Make sure you have…
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